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Source: All About
Jazz
February 1999

Journey Together
Naxos Jazz- 86023-2
A Melting Pot of Styles. In the liner notes to his debut, David
Sills states, "I want my playing to be representative of earlier
styles, say the '50s and '60s and taking it from there into mv own
direction, make it reflective of today, modern". I buy that.
From the head of Lenny Tristano's "317 East 32nd Street' I
felt encouraged that this would be a well-behaved mainstream outing
by the 28 year old tenor player. I was right. Supported by bassist
Darek Oleszkiewicz and guitarist Larry Koonse of the Los Angeles
Jazz Quartet (Look to the East Naxos Jazz 86029-2) along with former
Bill Evans drummer Joe La Barbera and pianist Alan Broadbent, late
of Charlie Haden's Quartet West, Sills quietly thrills on this collection
of originals and standards and not so standard standards.
Two Getz You Four. Yes, Mr. Sills has listened to a good bit of
Sonny Rollins, John Coltrane, and Joe Henderson (it's about time
someone cited him as an influence!). But what I hear is a beautiful
Stan Getz spirit and tone. Not simply imitation, but an essence
like fine cologne that lingers. But, Getz is not all I hear. I detect
the great Warne Marsh, some Lee Konitz and a smidgen of Paul Desmond
and Early Art Pepper (regardless of sax register). Sills has a warm,
full-bodied, obedient tone and playing mode. His compositions and
arrangements smack of the'50s West Coast Jazz of Bill Perkins, Shorty
Rogers, and Bud Shank, strained through the '80s and '90s filter
of Joe Henderson.
Conversin' With The Elders. Indeed, Sills represents his influences
with "Soul Eyes" (a long-time Getz vehicle), "Inner
Urge" (one of Henderson's best compositions, second only to
"Isotope"). Sills adds his own compositions, in the vein
of his influences. "Mai Lien" is melodically angular like
the Tristano opener and "The Ho Chi Minh Hustle" is appealingly
complex, more of that West Coast Cool. No vibrato, only clean, well-enunciated
notation. Lester Young evolution with an edge.
Naxos Jazz continues to release better and better music. Considering
that they started with superb music and musicians to begin with,
I am excited to see where the music and company are going. I have
listened to enough, that I find myself preferring the challenge
of the music Naxos Jazz is bringing to the market place when compared
to the major labels. David Sills recording is just my cup of tea,
and Naxos Jazz has many other appealing blends.
~ Michael Bailey
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